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Horse

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Courting scene; Little Shield counts coup on Pawnee
Courting scene; Little Shield counts coup on Pawnee
Plate Number 19

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Red captured horse
Red captured horse
Plate Number 20

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Captured horse with markings; captured horse with blanket marks
Captured horse with markings; captured horse with blanket marks
Plate Number 21

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Horse sketch - portrait; Partial horse sketch
Horse sketch - portrait; Partial horse sketch
Plate Number 22

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Man on red horse chases horse
Man on red horse chases horse
Plate Number 23

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Cheyenne “Kias” courts young girl “Nettie”
Cheyenne “Kias” courts young girl “Nettie”
Plate Number 24

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Horse outline; Horse and rider - unfinished
Horse outline; Horse and rider - unfinished
Plate Number 25

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Horse - unfinished
Horse - unfinished
Plate Number 26

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Courting
Courting
Plate Number 27

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Horse - blue outline
Horse - blue outline
Plate Number 28

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Black Moon meets young woman carrying water
Black Moon meets young woman carrying water
Plate Number 29

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Black Moon courts young woman; Little Shield lances corporal
Black Moon courts young woman; Little Shield lances corporal
Plate Number 30

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Palmer penmanship exercises
Palmer penmanship exercises
Plate Number 31

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Little Shield approaches 2 woman (Nettie is one)
Little Shield approaches 2 woman (Nettie is one)
Plate Number 32

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Little Shield woos young woman; He’eman (man-woman) watches [page missing in between]
Little Shield woos young woman; He’eman (man-woman) watches [page missing in between]
Plate Number 33

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Little Shield attacks for soldier
Little Shield attacks for soldier
Plate Number 34

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Civilian & friends shoot guns at enemy; Loose blue horse
Civilian & friends shoot guns at enemy; Loose blue horse
Plate Number 35

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Cheyenne counts coup on civilian
Cheyenne counts coup on civilian
Plate Number 36

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Warrior counts coup on civilian
Warrior counts coup on civilian
Plate Number 37

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Attacking a military post (Platte Bridge, July 1865)
Attacking a military post (Platte Bridge, July 1865)
Plate Number 38

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Plains Indian Ledger Art Digital Project, UC San Diego

Ross Frank, Director

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